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台北市
中正區
nowstudio.tw on March 5, 2026: "’s open call ⇀
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nowstudio.tw on March 5, 2026: "’s open call ⇀
邊界與痕跡：延遲的觀看
Boundaries & Traces: Seeing in Delay
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在陌生的環境中，被放大的感官使日常中理所當然的習慣與意識形態被重新檢視。
底片媒材的延遲性使觀看順序得以翻轉，揉合充滿不確定性的身份與媒材，在看不見成果時做出選擇、接受錯過，並藉由沖洗後的反覆觀看來辨認自己與世界的關係。
本展聚焦於拍攝後的狀態與思考，透過影像回望自己拍攝時的選擇，藉此探討不同的觀看可能。橫跨三年間的影像零散且直覺，儘管作品拍攝於不同城市，展出方式刻意避免依照地區或時序區分，而是依照主觀的觀看方式進行分類，從記憶、距離、語彙、物件四個不同面向，藉由這些面向討論當處在不完全屬於自己的地方，如何觀看？這種觀看又揭示了什麼？
展出影像即是階段性的觀看習作。
-
In unfamiliar surroundings, heightened senses bring what once felt natural into question.
The delay of analog photography reverses the usual order of seeing, which means we commit to a frame long before we know what it will look like. We learn to choose without seeing results, to accept what is missed, and to return after development to read the images repeatedly, tracing a relationship between self and world.
This exhibition focuses on revisiting the photographs after development, looking back at the choices made in the moment to open up different ways of seeing. Shot
邊界與痕跡：延遲的觀看
Boundaries & Traces: Seeing in Delay
____________________________
在陌生的環境中，被放大的感官使日常中理所當然的習慣與意識形態被重新檢視。
底片媒材的延遲性使觀看順序得以翻轉，揉合充滿不確定性的身份與媒材，在看不見成果時做出選擇、接受錯過，並藉由沖洗後的反覆觀看來辨認自己與世界的關係。
本展聚焦於拍攝後的狀態與思考，透過影像回望自己拍攝時的選擇，藉此探討不同的觀看可能。橫跨三年間的影像零散且直覺，儘管作品拍攝於不同城市，展出方式刻意避免依照地區或時序區分，而是依照主觀的觀看方式進行分類，從記憶、距離、語彙、物件四個不同面向，藉由這些面向討論當處在不完全屬於自己的地方，如何觀看？這種觀看又揭示了什麼？
展出影像即是階段性的觀看習作。
-
In unfamiliar surroundings, heightened senses bring what once felt natural into question.
The delay of analog photography reverses the usual order of seeing, which means we commit to a frame long before we know what it will look like. We learn to choose without seeing results, to accept what is missed, and to return after development to read the images repeatedly, tracing a relationship between self and world.
This exhibition focuses on revisiting the photographs after development, looking back at the choices made in the moment to open up different ways of seeing. Shot
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